that Z Gallery is full
Wednesday, July 30, 2008
that Z Gallery is full
I'm Going Soft....
They say staging is all about fluffing and the pillows...let's just say they never hurt.
These are by the Etsy designer of Maries Cosy Cushions. It was hard to choose. My white, Grizzled Gray (dark pewter), black , and silver office will need a little punch of color.
Tuesday, July 29, 2008
Mad about the Set, The Costumes, The Writing...!
I loved the opening of Joan and her red dress, the pink sea horses on the wall...and the scene where Betty is at the stables- the braid in her hair is -call me a female drag queen for gushing- but it really is breath-taking.
The mid-century modern office furniture is spectacular. The literary references are brilliant. Such a smart show. I have no shame in my addiction-none.
Monday, July 28, 2008
Mad Men Collage
Sunday, July 27, 2008
A Weekend and a Sale-To bat an eye about!
This stunning painting was part of the auction- I think it has a very rain-glazed aspens on a Colorado summer afternoon appeal.
Thursday, July 24, 2008
office furniture collage
Favorite Finds...every sha-lal-la-la , every whoa...
This darling decal below can be found on an etsy shop called Sha Nickers. I have looked at lots of decals. The fact that these aren't mass produced is very appealing. It's going to be a secret which one I order---the big reveal will be coming in a few weeks. The before and after will be muy, muy dramatico!
Just bought this waste bin for my lil' officina. And where do you think I stumbled upon it? Overstock of course- where I just blew a wad-ina on office furniture! I found some really brilliant pieces and actually saved a fortune. I'll do a little collage tomorrow-to give you a sneak peak.
I need to write the company-I peddle their wares like I'm getting paid!
Wednesday, July 23, 2008
Ode to the Style Maven
by Mountain Living Magazine, "What books are on your coffee table today?" architect Jane Snyder of Mosaic Architects in Boulder, CO replied, in part, "Modern Cabin." by my friend, Michelle Kodis! The interview also featured a large photo of the book.
Michelle had asked me earlier in the week if I'd tell her where I gotten my oh-so cute necklace-
Sprout online I said! That etsy.
Chalk this one up, My First Martha
Custom Colors How-ToStart with flat-finish latex paint in any shade. For small
areas, such as a door panel, mix 1 cup at a time.
1. Pour 1 cup of paint
into a container. Add 2 tablespoons of unsanded tile grout. Mix with a paint
stirrer, carefully breaking up clumps.
2. Apply paint with a roller or a
sponge paintbrush to a primed or painted surface. Work in small sections, going
over the same spot several times to ensure full, even coverage. Let dry.
Smooth area with 150-grit sandpaper, and wipe off dust.
4. To condition: Rub
the side of a piece of chalk over entire surface. Wipe away residue with a
barely damp sponge.
Easy right? Or you could just buy the silly chalkboard
paint...this just gives you color options-and small batch potential.
When we lived in our 1929 Mock Tutor in Seattle we used the Restore to buy our vintage school chalkboard. It was gen-U-ine slate from the 30's- I think. We actually cut the gigantic slate board in our driveway with a diamond blade saw and a running water hose. Scott made a white mdf frame for it and we installed it in our kitchen. We were DIY before DIY was cool, baby! The pic on the top is my friend Ginny and my daughter when she was 10 or 11 mos old posing in front of the now famous chalk board. Round as a pound, she was, round as a pound!
Sunday, July 20, 2008
Brilliant, No Lie
in Santa Fe is a kooky little shop with with gems like these! The Pinocchio tape measure reminds me of the first tile job I went to "measure." It was about 10 years ago and, truth be told, I didn't know how to gauge 3/8 from 7/8 to save my life...I failed miserably- but learned a few things in the process. I figured out when I was getting in over my head and needed proper back-up!
This one cracks me up. How many "brilliant" designs, poems, concepts have I written on a napkin? Too many.
It's kind of like dreams, so amazing in the twilight before really awaking ... you scramble for a pen, write furiously, then upon later reading you realize it was actually kind of lame.
Friday, July 18, 2008
"On the Edge of Collapse"
"I enjoy the freedom of just using my hands and "found" tools--a sharp
stone, the quill of a feather, thorns. I take the opportunities each day offers:
if it is snowing, I work with snow, at leaf-fall it will be with leaves; a
blown-over tree becomes a source of twigs and branches. I stop at a place or
pick up a material because I feel that there is something to be discovered. Here
is where I can learn. "
"Looking, touching, material, place and form are all inseparable from the
resulting work. It is difficult to say where one stops and another begins. The
energy and space around a material are as important as the energy and space
within. The weather--rain, sun, snow, hail, mist, calm--is that external space
made visible. When I touch a rock, I am touching and working the space around
it. It is not independent of its surroundings, and the way it sits tells how it
came to be there."
"I want to get under the surface. When I work with a leaf, rock, stick,
it is not just that material in itself, it is an opening into the processes of
life within and around it. When I leave it, these processes continue."
"Movement, change, light, growth and decay are the lifeblood of nature,
the energies that I try to tap through my work. I need the shock of touch, the
resistance of place, materials and weather, the earth as my source. Nature is in
a state of change and that change is the key to understanding. I want my art to
be sensitive and alert to changes in material, season and weather. Each work
grows, stays, decays. Process and decay are implicit. Transience in my work
reflects what I find in nature."
"The underlying tension of a lot of my art is to
try and look through the surface appearance of things. Inevitably, one way of
getting beneath the surface is to introduce a hole, a window into what lies
Wednesday, July 16, 2008
Belgium- Design as Delicious As Their Chocolate
My friend Pam, after hearing me moon about the perfection of this style- the one which marries, natural elements, industrial materials, comfort, texture and light, rustic modern elements and a classic mix of traditional pieces with the restraint of minimalism, -bought me Axel Vervoordrdt's Timeless Interiors for Christmas last year- and I reach for it often (see the my favorites widget to the right.)
The lamps, large table and mercury wine jars -on top- can be found on the very Belgian inspired sight BOBO. I could drop some serious bank here- so beautiful.